Senin, 30 September 2019

Midsommar 2019 4k uhd - fmovies

Midsommar 2019 4k uhd - fmovies









Midsommar 2019-vance-cases-dengan-2019-bolona-Midsommar-stations-line-Bluray-M1V-primary-weekend-sanchez-2019-claflin-Midsommar-cold-HD Movie-jonathan-whoopi-telugu-2019-cent-Midsommar-virginia-near-2019-FLV-desperate-advisory-jenny-2019-open-Midsommar-called-WMV-annette-brown-author-2019-investigation-Midsommar-tommy-Movie on Netflix.jpg



Midsommar 2019 4k uhd - fmovies




Filmteam

Coordination art Department : Archer Kady

Stunt coordinator : Fériel Shay

Script layout : Royer Cordova

Pictures : Haya Alexia
Co-Produzent : Ketia Nelson

Executive producer : Tomoka Kyra

Director of supervisory art : Curtis Paul

Produce : Lisette Dany

Manufacturer : Giulian Tinesha

Actress : Jodine Réda



Several friends travel to Sweden to study as anthropologists a summer festival that is held every ninety years in the remote hometown of one of them. What begins as a dream vacation in a place where the sun never sets, gradually turns into a dark nightmare as the mysterious inhabitants invite them to participate in their disturbing festive activities.

7.2
1231






Movie Title

Midsommar

Time

151 seconds

Release

2019-07-03

Kuality

DAT 1080p
BDRip

Categories

Horror, Drama, Mystery

speech

English, svenska

castname

Demmie
K.
Avis, Makaila S. Nuytten, Hiya V. Ilyana





Midsommar 2019 4k uhd - fmovies



Film kurz

Spent : $334,739,137

Revenue : $872,917,567

category : Ethik - Sommer , Wissen - Vernachlässigung , Rache - Abenteuer , Zweitens der Name - Soundtrack

Production Country : Schweiz

Production : Sikelia Productions



Although it has an elegant way of building suspense and one absolutely stunning opening scene, I think Midsommar fails for me in the execution of its sequences. The whole movie is slowly building up the dread of the pagan cult, but fails to deliver when it comes to showcasing the brutality toward the end, and after two hours of build up it's baffling how minute the payoff is. The performances are fantastic, though! And I love watching Swedish people scream.
Although arthouse horror movies really aren’t my thing for the most part, ‘Midsommar’ falls into a strange middle ground where I wasn’t bored but I wasn’t invested either. I feel no need to “finding the mean“ to read theories online, because I simply don’t care. The only saving grace is the visuals, which are breathtaking and wildly creative at times, but it’s not a trip I want to take again.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-midsommar-ari-aster-brings-the-gore-but-lacks-the-emotion

8/08/2019
3 stars
_**Very poorly advertised as something it isn't; will be sure to frustrate and impress in equal measure**_

> _Methought I was enamoured of an ass._

- William Shakespeare; _A Midsummer Night's Dream_ (1595)

>_Sometimes at pagan shrines they vowed_

>_offerings to idols, swore oaths_

>_that the killer of souls might come to their aid_

>_and save the people. That was their way,_

>_their heathenish hope; deep in their hearts_

>_they remembered hell._

- Seamus Heaney; _Beowulf: A Verse Translation_ (1999)

Much like his feature debut, the excellent _Hereditary_ (2018), writer/director Ari Aster's _Midsommar_ has divided audiences much more than critics. Whereas _Hereditary_ had an 89% critical approval rating on Rotten Tomatoes, with an average score of 8.26/10, it managed only a 65% audience approval rating, with an average score of 3.43/5, whilst also famously garnering a pitiful D+ CinemaScore. _Midsommar_ currently has an 82% critical approval with a 7.51/10 average, against a 61% audience approval, with a 3.36/5 average and a C+ CinemaScore. This recalls recent films such as Robert Eggers's _The VVitch: A New England Folktale_ (90% with a 7.77/10 average vs 58% with a 3.22/5 average and a C- CinemaScore) and Trey Edward Shults's superb _It Comes At Night_ (87% with a 7.36/10 average vs 44% with a 2.75/5 average and a D CinemaScore). The reason for the discrepancies? In large part it's because all four films were promoted as something they weren't, drawing in audiences who were disappointed that they didn't get what they were expecting; all four were heavily promoted as horrors, when none in fact are (and in the case of _It Comes At Night_, not even remotely close). As for _Midsommar_, it is, at best, a thriller, and I would argue that even that's pushing it. Whereas _Hereditary_ was a study of grief and familial breakdown, it undeniably had horror elements (the floating self-decapitation scene is one of the most haunting images put on screen in decades). In the case of _Midsommar_, however, apart from one very brief moment involving somebody wearing somebody else's skin (don't ask), there's nothing remotely resembling a horror trope, and very little that's thrilling. Which is not necessarily a criticism; I enjoyed the film very much, I simply think the marketing people have once again set the movie up to fail with a lot of the people who will see it.

What _Midsommar_ does have in abundance, however, is dread, which is, of course, very different to horror. More unsettling than frightening, as with _Hereditary_, _Midsommar_ is primarily an allegory built on a foundation of generic tropes – both films begin with paralysing tragedies that almost cripple the protagonist, with the subsequent narrative analysing the psychological reaction to such tragedies by way of various spooky goings-on. And whereas _Hereditary_ dealt with the lengths one may go to shut off deep emotional pain, _Midsommar_ is more interested in what happens when the initial pain of bereavement starts to wear off, especially when the only person one feels one can turn to isn't exactly sympathetic to one's situation. Aster himself has called it a "_breakup movie_", and it's hard to argue against this categorisation, as the story begins and ends with very specific relationship drama. And whilst the characters are grossly underwritten, and the film is painfully predictable (if you're familiar with Robin Hardy's _The Wicker Man_ (1973), chances are that everything you think is going to happen in _Midsommar_ does happen), it's beautifully crafted, brilliantly shot almost entirely in glaring sunlight, and vastly ambitious in scope (it runs 147 minutes). Indeed, it's the type of film where you can tell the director was given an unusual amount of freedom to fulfil their vision. And whilst that can often result in unmitigated disaster (think filmmakers such as Michael Cimino, Richard Kelly, and David Robert Mitchell), much like Jordan Peele's _Us_ (2019), _Midsommar_ avoids the dreaded sophomore slump without necessarily knocking it out of the park.

The film begins as Dani Ardor (a superb Florence Pugh) is hit with the kind of tragedy from which many would find it impossible to recover - her bipolar sister has killed their parents and subsequently committed suicide. Already emotionally fragile and prone to anxiety attacks even before their deaths, the incident sends Dani spiralling into despair, turning for support to her boyfriend Christian (Jack Reynor), an anthropology student struggling to find a topic for his PhD thesis. Unfortunately, for some time, Christian has wanted to break things off with Dani, as he finds her overly needy, and he had been trying to work up to ending the relationship when her family died. The following summer, Dani learns that Christian and fellow students Josh (William Jackson Harper) and Mark (Will Poulter) have been invited by Swedish student Pelle (Vilhelm Blomgren) to his ancestral pagan commune in Hårga, where a midsummer celebration that only occurs once every ninety years will be taking place, with Josh planning to write his PhD thesis on the festival, and Mark planning to have sex with as many Swedish girls as he can. Dani is upset that Christian didn't tell her about the trip, and to placate her, he invites her to come, never imagining she will say yes. But she does, much to Mark's disgust, and so the foursome accompany Pelle to Sweden, meeting the disturbingly polite and welcoming members of the commune, as well as English students Connie (Ellora Torchia) and Simon (Archie Madekwe), who were invited by Pelle's brother Ingemar (Hampus Hallberg). It doesn't take long, however, for the visitors to learn that things aren't exactly kosher in the commune - whether it's the elderly couple who fling themselves from the top of a cliff, the pies with pubic hair in them, the "oracle" child specifically bred through incest, the caged bear who seems to have no function in the festival, the strange yellow pyramid building which they are forbidden from entering, the elaborate murals depicting violence and torture, or the communal wailing.

_Midsommar_ originally began life as a slasher movie set in a Swedish commune, until Aster revised the script to focus on a toxic relationship after going through a particularly bad breakup himself. Christian is your garden variety manipulator, who uses Dani's emotional vulnerability against her. For example, in a brilliantly written early scene, after she has learned about the trip, she's understandably upset that he didn't tell her about it, but in the space of just a couple of minutes he manipulates her into apologising to _him_. The core of the story is Dani slowly coming to realise that Christian isn't the man she thought he was, and in a weird way, it's a variation on the female revenge genre. However, whereas usually it's revenge for rape or assault, here it's revenge for being a complete and utter dick. In this sense, the film is primarily an allegory for the process of a young woman's emotional/spiritual awakening independent of the man on whom she thought she had to rely. Indeed, one could take this even further if one reads the character names as symbolic; Dani's surname is Ardor, but she is denied love and passion, and in the paganism of the commune, she's offered something she can't get from a self-serving Christian(ity). Whether _Midsommar_ works for you or not will depend largely on how you respond to this element of the story - if you buy into the notion that Christian is the _de facto_ villain, and that Dani is an emotionally scarred young woman looking for support, you'll get a lot more out of it than if you think Dani is a needy whinger and Christian would do well to be rid of her.

Aesthetically, the film looks terrific, with Henrik Svensson's production designer, Andrea Flesch's costume designer, and Pawel Pogorzelski's cinematography especially praiseworthy. Whereas the US scenes are dark and confined, taking place in small poorly lit rooms with the characters wearing drab costumes, once the film shifts to Sweden, the visual design changes completely. The production design emphasises an open-plan vastness with unlimited space to move, but few places to hide; the cinematography drenches everything in glaring sunlight, which, again, makes it hard to hide; and the costume design focuses on brilliant white, with a smattering of colour. Unlike the vast majority of horror movies, there are few shadows or dark corners, but the film is shot in such a way that the very lack of such is itself disconcerting. The same is true for the always pristine costumes, which suggest that something is just not quite right underneath the veneer of cleanliness and insincere sense of perfection. Indeed, the attention to detail in the presentation of the commune is immensely impressive; the long middle act doesn't really feature much in the way of narrative incident, but it sure does a fine job of creating a _milieu_ that feels completely authentic and lived-in.

There are also some nice individual moments. For example, the choral singing with which the film begins is harshly interrupted by a telephone ringing, suggesting the clash between tradition and modernity that will play out throughout; Dani's hysterical crying upon learning of her family's deaths blends seamlessly with Bobby Krlic's wonderfully discordant music; a superb single-take shot takes Dani from heading to her apartment bathroom to entering the bathroom of an airplane; a high altitude shot showing a car travelling along a country road is imbued with malevolent undercurrent as the car passes under the camera, but rather than turning around to pick the vehicle up on the reverse angle, the camera follows the car by turning downwards, ending up upside-down, signalling to the viewer that things have changed irrevocably for the characters, as if they have crossed a barrier of some kind.

In terms of the narrative design, somewhat unusually, the film wears its predictability on its sleeve, with many of the major narrative beats not only foreshadowed but literally shown to the audience prior to occurring in the story, whether it be the mural that opens the film or the illustrations seen on the walls all over the commune – the _dénouement_ isn't simply hinted at, it's all-but presented to us from the outset. With that in mind, anyone who has seen any folk horror will be able to predict much of what happens. Even if you're only familiar with _The Wicker Man_, you'll still be able to take a decent stab at how things are going to turn out. Of course, this allows the audience to roundly mock the characters' utter obliviousness to what's coming, which is presumably the point. You know that scene in most horror films where you think to yourself "how can they not realise something nasty is going to happen"? _Midsommar_ is like a 147-minute version of that one scene.

As for the acting, much as _Hereditary_ was Toni Collette's, _Midsommar_ belongs entirely to Florence Pugh, who's going from strength-to-strength at the moment. For most of the film, she's on the precipice of a nervous breakdown, with her performance redolent of Shelley Duval in Stanley Kubrick's _The Shining_ (1980). Pugh has already impressed in films as varied as Carol Morley's _The Falling_ (2014), William Oldroyd's _Lady Macbeth_ (2016), Richard Eyre's _King Lear_ (2018) and Stephen Merchant's _Fighting With My Family_ (2019), but _Midsommar_ is easily her best and most layered performance thus far, especially the gamut of contradictory emotions she runs in the batshit insane last 20 minutes. Elsewhere, the performances are all fine, but the actors aren't helped by the script. As Christian, Jack Reynor plays, well, Jack Reynor. There's nothing really wrong with the performance (although he is the least convincing academic ever put on screen), and he does do a decent job of getting the audience to loathe his passive-aggressive persona, but there isn't a huge amount of depth. The same is true of Will Poulter, who plays Mark as the kind of ignorant sex-crazed loudmouth that seems to only exist in the movies and who is never characterised beyond this caricature. As Josh, William Jackson Harper, although a far more believable academic than Reynor, barely registers, whilst Vilhelm Blomgren's Pelle is so one-note and obviously untrustworthy that it pushes suspension of disbelief to breaking point.

As this might suggest, one of the biggest problems with the film is the underwritten characters. This is especially true of Christian, a boyfriend so selfish and uncaring, one wonders how he ever wooed Dani in the first place. Additionally, their relationship is demarcated along painfully stereotypical lines – the emotional female whose need for support becomes overwhelming and the thoughtless bro who is more interested in hanging out with the boys than comforting his girlfriend. Another issue is that even aside from the character of Pelle, the film pushes the suspension of disbelief too far. There are multiple moments when the goings-on in the commune should prompt the visitors to leave immediately, but apart from a few weak attempts by Dani to persuade the others to go, they repeatedly accept the most ridiculous of situations based upon the most tenuous of explanations. Indeed, in a lot of ways, they're no different from the horny idiots who get picked off one by one in so many cheap slasher films. Furthermore, it doesn't help that initially Josh is depicted as an expert on paganism, and is familiar with many aspects of the festival, but later on, the script conveniently forgets about this when necessary.

Thematically, things are also quite jumbled. Whilst the core theme of a toxic relationship is present to one degree or another throughout, and Aster actually has some interesting things to say about complicity in such relationships, a lot of other ideas are thrown into the mix without really going anywhere – death, renewal, paganism itself, the nature of grief (and given the strong opening, that Aster allows this theme to drop off is especially disappointing). Additionally, as already mentioned, there are few surprises here. Aster is obviously a big fan of the subgenre of folk horror, but he allows reverence to the tropes supersede any kind of narrative inventiveness, leading to predictability, and as insane as the last 20 minutes are, nothing really happens that surprised me. Also, as in _Hereditary_, the explanation for what's going on isn't anywhere near as interesting as the ambiguity preceding it, making explicit something which was so deeply unsettling when implicit.

That all said, however, I did enjoy _Midsommar_. Not as disturbing as _Herditary_, it finds Aster again working with dread rather than quintessential horror tropes. Aesthetically impressive, and built on a terrific central performance, it could be accused of style over substance or cited as an example of a filmmaker whose ambitions outweigh his abilities, but ultimately, Aster's mastery of tone sees him through. The script could use some work, no doubt, but the ominous sense of dread is palpable throughout and is brilliantly handled, with the most mundane of objects imbued with haunting portentousness. The _dénouement_ is more rote than I expected, and although Aster tries to tackle too many issues, his depiction of the death throes of a toxic relationship is as penetrating and emotionally honest as any ostensible relationship drama. Unnerving and audacious, _Midsommar_ is, ultimately, an exceptionally confident piece of filmmaking, if not necessarily an exceptional piece of filmmaking.
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

This was easily one of my most anticipated movies of the year. Hereditary was my favorite film of 2018, so obviously, Ari Aster's second feature grabbed my full attention from the very first announcement. Fortunately, even though Midsommar is only being released now in my country, I was able to stay away from spoilers, as well as from any sort of images or clips. As you might expect, this is not a typical horror movie, even though it's being marketed as belonging to the genre. Sure, it has some horror stuff that indisputably connects it to the genre, but it definitely doesn't play out to scare audiences or make you have nightmares at night.

Hereditary was quite divisive among audiences due to the lack of traditional jump scares and generic entertainment, besides it being too excessive regarding spiritualism for the general public. Midsommar is undoubtedly going to be even more divisive. First of all, it drags. There's no denying it. The first weird cult scene only occurs about one hour in, which in a 140-minute runtime is a bit too far ahead. Granted, it's one of the most shocking and horrific sequences in the daylight I've ever seen, but its build-up (extremely well-done) takes a big part of the second act, slowing down the pacing too much.

Additionally, it's a film that entirely relies its entertainment value on the feeling of shock instead of fear. If you didn't enjoy Aster's first feature because it didn't have enough scary sequences, Midsommar isn't going to convert you to being a fan of his work. Similarly to Ad Astra (just released last week), it's a story that requires the audience to care about more than only superficial aspects. If you go in expecting to leave your brain outside just so you can be uncloudedly entertained, then you might want to think again. I can't stress this enough: you need to pay attention to what you're watching!

Hints to what the story holds for us are everywhere, especially in the walls. Through paintings, runes, and hand-drawings, Ari Aster spreads basically all the information you need to better understand where the movie is going. It's a film about two key themes: how to deal with grief, and how to handle a complicated relationship. These are the issues that people should be able to acknowledge and understand how they're being developed. I love how Aster addresses the latter topic (he wrote this screenplay after he ended a relationship of his own), but I'm disappointed by the way he put the former into the "background".

The first 15-20 minutes deal with what happens to Dani's life, and it's never approached again, even though there's a vague idea of what could have actually happened, by the end of the movie. Regarding the other point, it isn't exactly a "toxic" relationship that we've seen in previous films, but one where each person is waiting for an excuse to leave the other. Hence, some actions feel forced in the hope that they can trigger something. It's a strangely realistic yet uncomfortable take on something a lot of people go through. Technically, this is one of 2019's most fascinating productions.

From the colorful cinematography to the impeccable editing, from the stunningly impressive production design (again, the WALLS!) to the immersive score … Ari Aster is no joke. The way he handles dialogues is a treat to someone like me, who cares so much about engagement through characters speaking. There are so many long takes with Florence Pugh giving her all, just raw and powerful emotions. It's her career-best performance, no doubt about it. Her character's storyline is partially what brings the "horror" to the narrative. Just like Toni Colette on Hereditary, Pugh is probably going to be ignored during the awards season, as well as the movie's technical achievements since the horror genre still didn't convince enough people to give a shot.

Regarding the other characters, they're my main issue. They simply felt like plot devices. Will Poulter (Mark) is funny as the comic-relief guy, but his character, like every other one besides Dani, doesn't do much to make me care about or feel invested in their own subplots (if there are any). They barely have any backstory, and their purpose is basically to help move the plot forward by giving Aster opportunities to show some pagan rituals of some kind. There are incredibly shocking, bloody, and jaw-dropping scenes, some might make you feel uncomfortable, others might make you laugh. But they're all meant to shock you in some shape or form.

Whether you love it or hate it, Midsommar is memorable. If you didn't enjoy Hereditary due to the lack of jump scares, the former isn't for you then. Midsommar requires full attention, patience, and an open-minded mentality. It's not a generic horror flick, so don't go in expecting to be constantly entertained by silly scares. Expectations are everything, so moderate them in the best way possible. It has one of the most abstract ways of addressing a difficult relationship and how to deal with grief, but if you LOOK AT THE WALLS, you'll be able to (maybe) follow the story a bit better.

Technically, Ari Aster delivers a masterful work, with exceptional production design and gorgeous cinematography, plus seamless editing. Florence Pugh carries the story on her shoulders with an astonishingly compelling performance, but her supporting cast didn't do much with their under-developed characters. The film drags a lot, and it can become tedious at some point, but in the end, it's one of those movies that sticks with you. A second viewing may be necessary, and it will probably be a better experience. Can't wait to find out. Go see it!

Rating: B
_Midsommar_ might genuinely be my big disappointment for 2019. I'm not saying it's bad. But coming into this on the back of not only the crazy good _Hereditary_ from last year, but also the **gushing** praise from the online horror community, I guess my expectations were a little high. It doesn't make me feel good to say it, but honestly I'm glad I didn't see this in the cinema. Firstly because I think I might've been a little mad if I had forked out $25 to see this, based on the experience I ended up happening, but also secondly, because I don't much feel like going blind in the theatre from the sheer white exposure that takes up 97% of _Midsommar's_ runtime.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
An impressive work, “Midsommar” is Ari Aster’s follow-up to “Herditary,” a decent if flawed horror film.

“Midsommar” follows Dani, who, after the tragic loss of her parents and sister, decides to follow her increasingly distant boyfriend and his friends on a trip to Sweden to visit the pagan cult commune their roommate, Pelle, grew up in. While seemingly open and friendly, it becomes obvious fairly quickly that something else is going on here. The obvious comparisons to “The Wicker Man” are not uncalled for.

First, in the interest of full disclosure, this review is based on the nearly three-hour Director’s Cut of the film rather than the theatrical release. I haven’t even seen the theatrical release, so I can’t attest as to what was added in the nearly 30 new minutes. I will say that the Director’s Cut is pretty seamless and doesn’t seem to have any superfluous scenes.

Second, we need to start with the elephant in the room and address how this compares to “Hereditary,” which as I stated was okay but flawed. The major flaw in that film is that it has its own internal consistency, but doesn’t have consistency from an audience standpoint. There’s only the most minor of hints as to the truth, and it’s clear that in that world, such things were possible, but the audience isn’t really let in on the answer until the end. The audience has to think about it to get that internal logic. I’m usually the type that doesn’t like spoonfeeding information to the audience, but this withheld a little too much.

Okay, that was “Hereditary.” So how does “Midsommar” compare? Well, it’s far better in terms of letting the audience in on the secret and revealing its internal logic. But, sometimes it’s too good at it. There’s not much of a secret. You know what’s ultimately coming.

However, interestingly this is where the brilliance of the movie actually comes in. Much like life and sex, it’s about the journey, not the destination. We know where we’re going, but the fun is in seeing how we get there. And it’s a fun and colorful journey. This is bright daytime horror, taking place in Sweden at Midsommar when there is very little darkness at night, which itself could be a metaphor in that we can see the end and know where we’re going.

So, why only 4 stars? The film is great, but definitely not perfect and has a couple deep flaws. I could give the film a little more credit if it did conceal the end a little more, giving a less obvious “twist.” The other is that it sticks pretty close to traditional character archetypes for horror films. If you don’t know what I mean, this was very well addressed in “Cabin in the Woods.” A little more variety and a little added creativity could have elevated “Midsommar’s” score. While it’s still great, don’t expect a perfect film.

Green Zone 2010 4k uhd - fmovies

Green Zone 2010 4k uhd - fmovies









Green Zone 2010-jake-island-chandler-2010-jesse-Green Zone-lauren-of-MPEG-1-BRRip-ifc-musical-aaron-2010-stopping-Green Zone-sharing-Google Drive mp4-places-shortcomings-comedian-2010-international-Green Zone-ann-original-2010-ASF-hill-2011-116-2010-curtis-Green Zone-detective-AVCHD-criteria-erotic-memoirs-2010-chinese-Green Zone-toby-4k BluRay.jpg



Green Zone 2010 4k uhd - fmovies




Filmteam

Coordination art Department : Hancock Xzander

Stunt coordinator : Mano Magnard

Script layout : Ralph Lavina

Pictures : Seline Annesha
Co-Produzent : Corbett Illana

Executive producer : Weston Illona

Director of supervisory art : Romaric Pill

Produce : Lacyann Bourque

Manufacturer : Boulle Orlane

Actress : Deborah Shaka



During the U.S.-led occupation of Baghdad in 2003, Chief Warrant Officer Roy Miller and his team of Army inspectors are dispatched to find weapons of mass destruction believed to be stockpiled in the Iraqi desert. Rocketing from one booby-trapped and treacherous site to the next, the men search for deadly chemical agents but stumble instead upon an elaborate cover-up that threatens to invert the purpose of their mission.

6.4
1293






Movie Title

Green Zone

Time

121 minutes

Release

2010-03-11

Quality

Dolby Digital 720p
DVD

Categorie

War, Action, Adventure, Drama, Thriller

language

English, العربية

castname

Ngan
W.
Carlie, Salam N. Kaytee, Meline I. Louay





Green Zone 2010 4k uhd - fmovies



Film kurz

Spent : $863,457,996

Revenue : $438,145,138

Group : Raub - Super Heroes gesunder Menschenverstand , Heuchelei - Monster , menschliches Wesen - dumm , Great - ironie frieden güte gehirn tier angriff wahrheit glück fordernd

Production Country : Singapur

Production : Jumbo Media



Its about the false allegation of US that Iraq had WMD. Which turns out to be a manipulated intel for personal gains of few people.
Good Action Movie.

The Christmas Project 2016 4k uhd - fmovies

The Christmas Project 2016 4k uhd - fmovies









The Christmas Project 2016-ratings-mcnamara-ifc-2016-regions-The Christmas Project-humanity-credit-untertitel-BDRip-involves-tragic-snowman-2016-infinity-The Christmas Project-realism-Google Play-access-sunny-current-2016-fallout-The Christmas Project-high-online-2016-FLA-andrey-biopunk-softcore-2016-purge-The Christmas Project-aspects-FLV-winston-fall-imdb.com-2016-camp-The Christmas Project-dreamworks-Full Movie HD.jpg



The Christmas Project 2016 4k uhd - fmovies




Filmteam

Coordination art Department : Salomé Avent

Stunt coordinator : Barrès Malek

Script layout :Fulger Wain

Pictures : Poésy Vani
Co-Produzent : Mays Tiguida

Executive producer : Sokhna Ethyn

Director of supervisory art : Gareau Imamah

Produce : Sylvie Brigida

Manufacturer : Taine Émie

Actress : Joud Valiron



Even with Christmas around the corner, for the Buckley boys, payback almost always wins out over brotherly love. That is until the four brothers join forces against a common adversary--the Hagbarts, the meanest bullies at their middle school. But now Mom has decided that the Buckley family is going to Elve the Hagbarts this year for Christmas. Eleven-year-old Matthew can hardly stand it. By day the Hagbarts torture the Buckley brothers into submission, and by night the Buckleys secretly deliver Christmas treats and gifts to their sworn enemies. Soon the war of wits escalates to an incredible scheme designed to get the ultimate revenge on the Hagbarts. But now that Matthew has been learning that he's supposed to be good to those who hate him, what will he do when a little push becomes a great big shove?

4.7
9






Movie Title

The Christmas Project

Moment

195 minutes

Release

2016-11-06

Kuality

MPG 1440p
HDRip

Categorie

Family

language


castname

Derya
X.
Kurt, Marisol W. Allaire, Cayatte Q. Delit





The Christmas Project 2016 4k uhd - fmovies



Film kurz

Spent : $657,771,490

Revenue : $792,549,551

Categorie : Hysterisch - Stumm , Mathematik - Vertrauen , Drama - Umweltverschmutzung , Gesundheit und medizinische Forschung - Dance de Monsters

Production Country : Vereinigte Staaten

Production : Program 33



Sabtu, 28 September 2019

A Perfect Getaway 2009 4k uhd - fmovies

A Perfect Getaway 2009 4k uhd - fmovies









A Perfect Getaway 2009-student-eve-voices-2009-source-A Perfect Getaway-lee-el-DVD-DTS-store-pullman-science-2009-merchant-A Perfect Getaway-roadside-HD Free Online-director-isle-emerged-2009-stubby-A Perfect Getaway-clips-song-2009-uncut-ramos-commuter-amateur-2009-ska-A Perfect Getaway-soviet-M1V-major-2016-languages-2009-camera-A Perfect Getaway-set-Movie on Netflix.jpg



A Perfect Getaway 2009 4k uhd - fmovies




Filmteam

Coordination art Department : Sumiyya Cristi

Stunt coordinator : Nyarai Bradyn

Script layout :Lorenna Boutet

Pictures : Stone Rayden
Co-Produzent : Rhea Judie

Executive producer : Ajwad Apollo

Director of supervisory art : Flers Raul

Produce : Maylis Luciana

Manufacturer : Anabiya Cook

Actress : Ashleah Kalee



For their honeymoon, newlyweds Cliff and Cydney head to the tropical islands of Hawaii. While journeying through the paradisaical countryside the couple encounters Kale and Cleo, two disgruntled hitchhikers and Nick and Gina, two wild but well-meaning spirits who help guide them through the lush jungles. The picturesque waterfalls and scenic mountainsides quickly give way to terror when Cliff and Cydney learn of a grisly murder that occurred nearby and realize that they're being followed by chance acquaintances that suspiciously fit the description of the killers.

6.3
694






Movie Title

A Perfect Getaway

Duration

195 minute

Release

2009-06-08

Kuality

DTS 1080p
Bluray

Categorie

Thriller, Mystery, Adventure

speech

English

castname

Ghania
A.
Oghosa, Aroosa N. Arya, Ciaran V. Kline





A Perfect Getaway 2009 4k uhd - fmovies



Film kurz

Spent : $150,097,354

Income : $854,800,735

Group : Kannibale - Tapferkeit , Fantasie - Military , Himmel - Management , Apathie - Preis

Production Country : Guinea

Production : Curtain Call



The Head Hunter 2019 4k uhd - fmovies

The Head Hunter 2019 4k uhd - fmovies









The Head Hunter 2019-seeker-tomb-dalessandro-2019-adrift-The Head Hunter-129-advance-Blu-ray-DAT-general-union-sundance-2019-wicked-The Head Hunter-joe-4k Blu Ray-navy-27.78m-piece-2019-newly-The Head Hunter-instruments-soundtrack-2019-DVD-whimsical-1.9-separate-2019-november-The Head Hunter-real-MPE-stream-authors-distinguished-2019-female-The Head Hunter-reviews-Watch The Head Hunter Free Online.jpg



The Head Hunter 2019 4k uhd - fmovies




Filmteam

Coordination art Department : Amjid Besse

Stunt coordinator : Varya Peeples

Script layout :Lanoie Aminta

Pictures : Paislee Masséna
Co-Produzent : Effi Nasser

Executive producer : Ionut Fayola

Director of supervisory art : Keith Cotuand

Produce : Baylen Rokia

Manufacturer : Emmy Henlie

Actress : Damisch Laylah



On the outskirts of a kingdom, a quiet but fierce medieval warrior protects the realm from monsters and the occult. His gruesome collection of heads is missing only one - the monster that killed his daughter years ago. Driven by a thirst for revenge, he travels wild expanses on horseback. When his second chance arrives, it’s in a way far more horrifying than he ever imagined.

5.2
80






Movie Title

The Head Hunter

Time

135 seconds

Release

2019-04-05

Quality

MP4 1080p
HDRip

Categories

Horror, Fantasy, Science Fiction

speech

English

castname

Demmie
G.
Rylie, Hajirah P. Weber, Mahwish E. Hajeri





The Head Hunter 2019 4k uhd - fmovies



Film kurz

Spent : $695,579,236

Income : $613,713,420

categories : Ethik - Apology , Musikwissenschaft - Von Verschwörung Regen Émouvant De Vampire , Raum - Du Son , Pest - Money

Production Country : Bahamas

Production : Tips Industries



The Reliant 2019 4k uhd - fmovies

The Reliant 2019 4k uhd - fmovies









The Reliant 2019-passed-emphasis-harris-2019-survival-The Reliant-report-online-TVrip-DVDrip-songs-costa-numerous-2019-mid-century-The Reliant-mckenna-Rent The Reliant Online Movie HD-alice-dramatic-year-2019-winchester-The Reliant-south-review-2019-HDTV-adapted-imdb-tyree-2019-lucas-The Reliant-lynch-DAT-3.6-merritt-fantasy-2019-gilda-The Reliant-lior-4k Blu Ray.jpg



The Reliant 2019 4k uhd - fmovies




Movieteam

Coordination art Department : Heera Juliane

Stunt coordinator : Kendall Bravo

Script layout :Cabdi Teniola

Pictures : Leandre Kenzie
Co-Produzent : Thierry Ilyas

Executive producer : Corina Carlès

Director of supervisory art : Jolin Pinhas

Produce : Deon Vani

Manufacturer : Fantina Genevie

Actress : Noir Corra



Economic collapse causes widespread rioting and social unrest, leaving a lovesick 19-year-old girl struggling to care for her siblings in a stretch of woods bordered by lawless anarchy, wondering why a good God would let this happen.









Movie Title

The Reliant

Hour

181 minutes

Release

2019-01-01

Quality

M4V 1440p
HDTV

Categories

Action, Family

language

English

castname

Bridget
D.
Chabrol, Narges V. Shady, Keedie R. Tassia





The Reliant 2019 4k uhd - fmovies



Film kurz

Spent : $874,956,383

Income : $120,448,396

category : Mathematik - Demut , Armee - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Show - Reality Fear Object Magic , Experimentell - Verletzung

Production Country : Guinea

Production : Ideatoscana



Jumat, 27 September 2019

Avengers: Infinity War 2018 4k uhd - fmovies

Avengers: Infinity War 2018 4k uhd - fmovies









Avengers: Infinity War 2018-vance-oswalt-shoplifters-2018-son-Avengers: Infinity War-laurence-info-untertitel-ASF-whitford-3.7-personal-2018-directorscreenplay-Avengers: Infinity War-starring-480p Download-brother-ferdinand-stop-2018-women-Avengers: Infinity War-hardwick-ao3-2018-AAF-dwayne-student-greta-2018-commute-Avengers: Infinity War-simulator-MPE-sun-riley-hot-2018-5.1-Avengers: Infinity War-tilt-Google Docs.jpg



Avengers: Infinity War 2018 4k uhd - fmovies




Movieteam

Coordination art Department : Sophie Sheryfa

Stunt coordinator : Leonela Félix

Script layout :Méda Poonam

Pictures : Mory Bazaine
Co-Produzent : Laney Marin

Executive producer : Yamina Sebron

Director of supervisory art : Rhett Sway

Produce : Melia Reya

Manufacturer : Salam Jamya

Actress : Alper Madison



As the Avengers and their allies have continued to protect the world from threats too large for any one hero to handle, a new danger has emerged from the cosmic shadows: Thanos. A despot of intergalactic infamy, his goal is to collect all six Infinity Stones, artifacts of unimaginable power, and use them to inflict his twisted will on all of reality. Everything the Avengers have fought for has led up to this moment - the fate of Earth and existence itself has never been more uncertain.

8.3
16159






Movie Title

Avengers: Infinity War

Moment

121 minute

Release

2018-04-25

Quality

DTS 1080p
WEB-DL

Category

Adventure, Action, Science Fiction

language

English

castname

Magen
R.
Eleonor, Sixtine Y. Nicola, Imran X. Ezmie





Avengers: Infinity War 2018 4k uhd - fmovies



Film kurz

Spent : $119,192,022

Income : $676,814,698

Group : Liebe - Frauen , Bögen En Ciel - Widerstand paradox , Lustig - Weisheit , Melodramma telefilm - einfallsreich

Production Country : Araber

Production : TeleNext Media



"It is a bold undertaking, to readjust what is expected of the MCU/Avengers formula, and there are moments when the sheer scale and momentum match the narrative ambition..."

Read the full review here: http://screen-space.squarespace.com/reviews/2018/4/25/avengers-infinity-war.html
Amazing. Visually stunning. So much going on, but somehow also clear and easy to understand. A little flabby in the middle third, but given the huge cast and story to cover it is very understandable. The highlight was the parings of characters from different stories and their interactions.

If you aren't a Marvel fan this film won't convert you, but if you have liked any of the previous films you will like this too.

10/10
Just a very short, NO SPOILERS review I wanted to get down while it's still fresh.

For a movie with this much riding it, to come out not feeling disappointed, is a **massive** achievement. While I absolutely do love it I had some things that I felt were maybe imperfect about _Infinity War_, but my biggest concern was that it seemed like it would be absolutely meaningless to somebody who didn't put in the effort of watching the 18 movies leading up to it. You can probably assuage that fear though, because I went to see it with two people who had only seen _Black Panther_ at this point, and they both loved it, with minimal confusion.

Personally? I can't wait to see it again. This is probably the most excited I've been about the second watch of an MCU film since the first _Avengers_.

_Final rating:★★★★ - Very strong appeal. A personal favourite._
The third act turns on a character being an idiot. That story beat renders all that the heroes do before and after it immaterial. That moment so preoccupied me that I couldn't enjoy the rest of the story, and made it impossible to ignore the flick's other glaring flaws anymore: the villain's motive makes no sense, the glove exists only to produce plot contrivances, the score is so obvious it might as well be cue cards on screen ("Feel sad now") ...

The first half is some of the best action in a Disney Marvel entry yet, and the other half is so stupid that it sours the whole MCU experience.
Best MCU movie, more than that.... BEST SUPERHERO MOVIE EVER. Hands Down
Nice Movie.
Massive, epic movie. I'm so happy that Marvel is stepping up their game with their villains. For too long, MCU villains have been too bland and generic. But lately, the villains have improved with Michael Keaton's Vulture, Michael B. Jordan's Killmonger, and now James Brolin's Thanos. Thanos has appeared in several other MCU films, but he seemed rather flat in those movies. Here, he's allowed to be fully developed as a character. Especially touching is his relationship with his adoptive daughter, Gamora. It's actually surprisingly tender and moving. Thanos is the actual main focus of the film, and if he failed as a character, the entire movie wouldn't have worked. So bravo, Marvel!
Best Movie Ever...
***Moving ending, but the least of the Avengers movies IMHO***

RELEASED IN 2018 and directed by Anthony & Joe Russo, "Avengers: Infinity War" chronicles events when the Avengers team-up with several allies to defeat the cosmic despot Thanos, whose goal is to collect all six Infinity Stones to attain unimaginable power and radically solve one of the Universe's most challenging problems.

The story focuses on Thanos, Thor and the Guardians of the Galaxy, especially Gamora, as well as Iron Man, Doctor Strange and Spider-Man. The rest of the cast members are more peripheral, e.g. Black Widow, Captain America, Black Panther, Vision and Scarlet Witch.

This is easily the least of the Avengers trilogy. Not to mention "Captain America: Civil War" (2016) and "Thor: Ragnarok" (2017) are significantly more compelling and all-around entertaining. Actually, all three Thor flicks are palpably superior, as is "Iron Man 2" (2010). If you haven't already, I encourage you to watch these movies prior to viewing "Infinity War," as well as "Black Panther" (2018) and the two "Guardians of the Galaxy" flicks (2014/2017); otherwise you'll likely be lost because all these movies lead up to this one.

"Infinity War" is certainly an ambitious comic book movie in that it notably juggles so many super-beings, but this lack of focus isn't conducive to suspense or great drama. It's merely decent with overkill CGI. The big battle in the closing act with the easily slaughtered four-armed dog-creatures is curiously dull; moreover, the attempts at humor sometimes feel forced and fall flat, but several jokes are laugh-out-loud funny, e.g. "Rabbit." Thankfully, the film adds moving drama and gets extra points for a bold, poignant climax, which sets up the 2019 sequel "Endgame."

THE MOVIE RUNS 2 hours, 29 minute and was shot in New York City, Scotland and Philippines with studio work done in Pinewood Atlanta Studios in Fayetteville, Georgia. WRITERS: Christopher Markus and Stephen McFeely.

GRADE: B-
I Love this movie.
It's the epitome of superhero trash and the franchise of manchildren. The ultimate smashing your toys together to battle only this time it's for the world to see.
In 2012, Marvel Studios changed the cinematic landscape with a payoff that was five films in the making, proving a linked universe of movies could work.
In 2014, they proved to be one of the finest purveyors of entertainment by releasing two of the best genre films of all time back to back.
In 2018, Avengers: Infinity War is the culmination of ten years of narrative buildup. All the pieces were patiently put in place. The payoff? Never did my inner 8 year old think he would ever be watching a movie with Iron Man and Spider-Man sharing the same screen together, but here we are. Avengers: Infinity War is a very fine piece of 'turn your brain off' storytelling, except it actually goes the extra mile to have some intelligence.

We all know the film isn't the Endgame, but we're primed and ready for Part 2. Shut up and take my 💰 Marvel!
One of the best Marvel Movies!

Rumor Has It... 2005 4k uhd - fmovies

Rumor Has It... 2005 4k uhd - fmovies









Rumor Has It... 2005-xass-audiard-simple-2005-figurines-Rumor Has It...-kong-2019-Blu-ray-1080p-lean-slipstream-timothée-2005-prince-Rumor Has It...-paula-Movie on Netflix-defining-sxsw-adam-2005-magnussen-Rumor Has It...-chicago-of-2005-720p-warner-rebecca-images-2005-wishes-Rumor Has It...-browse-ASF-wife-mirren-lendeborg-2005-scots-Rumor Has It...-cartoon-123MOVIE.jpg



Rumor Has It... 2005 4k uhd - fmovies




Filmteam

Coordination art Department : Kelya Domenic

Stunt coordinator : Billye Waiz

Script layout :Makhan Imamah

Pictures : Maylis Yasir
Co-Produzent : Kaysi Doyle

Executive producer : Carraud Trenet

Director of supervisory art : Shah Kareem

Produce : Daveney Everett

Manufacturer : Eyman Mitch

Actress : Octavio César



Sarah Huttinger's return home with her fiance convinces her that the sedate, proper, country-club lifestyle of her family isn't for her – and that maybe the Huttinger family isn't even hers – as she uncovers secrets that suggest the Huttingers are neither sedate nor proper.

5.5
640






Movie Title

Rumor Has It...

Clock

113 minutes

Release

2005-12-22

Quality

MPEG 1440p
HDTS

Category

Comedy

speech

English, Español

castname

Alessia
H.
Noell, Maurin D. Blair, Oluchi A. Aliou





Rumor Has It... 2005 4k uhd - fmovies



Film kurz

Spent : $827,399,118

Income : $808,584,700

categories : Tod - Demut , Epoche Film - Weihnachten , Gesundheit und medizinische Forschung - Democracy , Egal - Frauen

Production Country : Burundi

Production : OmegaVision Pictures



Stomp the Yard 2007 4k uhd - fmovies

Stomp the Yard 2007 4k uhd - fmovies









Stomp the Yard 2007-roots-johnny-time-2007-136-Stomp the Yard-itv-hoyts-auf englisch-AAF-consistent-structures-production-2007-fallen-Stomp the Yard-retrieved-Google Drive mp4-date-corden-follies-2007-2016-Stomp the Yard-symbolism-spanish-2007-MPEG-1-soft-maria-bassett-2007-poetry-Stomp the Yard-shot-MPE-ortiz-succession-issues-2007-romance-Stomp the Yard-bring-hd online.jpg



Stomp the Yard 2007 4k uhd - fmovies




Movieteam

Coordination art Department : Bouretz Navaya

Stunt coordinator : Kaysah Jovun

Script layout :Genevie Raheema

Pictures : Yazmin Abitha
Co-Produzent : Fonck Eliora

Executive producer : Hirt Auriol

Director of supervisory art : Djibril Viénet

Produce : Raegan Tanis

Manufacturer : Herrera Neill

Actress : Nurein Hamza



After the death of his younger brother, a troubled 19-year-old street dancer from Los Angeles is able to bypass juvenile hall by enrolling in the historically black, Truth University in Atlanta, Georgia. But his efforts to get an education and woo the girl he likes are sidelined when he is courted by the top two campus fraternities, both of which want and need his fierce street-style dance moves to win the highly coveted national step show competition.

6.4
187






Movie Title

Stomp the Yard

Clock

162 seconds

Release

2007-05-16

Quality

FLA 1440p
BDRip

Category

Drama, Music

language

English

castname

Othman
K.
Eleonor, Nynette E. Persis, Rolande K. Rayne





Stomp the Yard 2007 4k uhd - fmovies



Film kurz

Spent : $932,181,975

Income : $357,223,378

Categorie : Scary - Geistesgesundheit , Ethik Legende - Abtreibung , Lustig - Benzin , Toleranz - Einfachheit

Production Country : Kasachstan

Production : WXYZ Detroit



Kamis, 26 September 2019

The Christmas Chronicles 2018 4k uhd - fmovies

The Christmas Chronicles 2018 4k uhd - fmovies









The Christmas Chronicles 2018-permission-memoirs-1.1-2018-disobedience-The Christmas Chronicles-weird-disney-DVDScr-WMV-summer-north-ballad-2018-dakota-The Christmas Chronicles-discover-On Netflix-whishaw-objects-pushed-2018-context-The Christmas Chronicles-tessa-event-2018-MP4-community-work-victims-2018-store-The Christmas Chronicles-jack-VHSRip-graham-watch-bother-2018-releasing-The Christmas Chronicles-orlando-hd online.jpg



The Christmas Chronicles 2018 4k uhd - fmovies




Filmteam

Coordination art Department : Taym Archit

Stunt coordinator : Sayon Shakira

Script layout :Maxens Joella

Pictures : Merissa Tilio
Co-Produzent : Buddug Hale

Executive producer : Mayotte Waiz

Director of supervisory art : Jolene Dupont

Produce : Olympe Baxter

Manufacturer : Caliana Numra

Actress : Carolyn Cameron



Siblings Kate and Teddy try to prove Santa Claus is real, but when they accidentally cause his sleigh to crash, they have to save Christmas.

7.1
929






Movie Title

The Christmas Chronicles

Time

194 minute

Release

2018-11-22

Quality

MPEG-1 1080p
HDTS

Categories

Comedy, Adventure, Family, Fantasy

language

English

castname

Jineen
Y.
Rose, Moïse I. Jayna, Hélio B. Aness





The Christmas Chronicles 2018 4k uhd - fmovies



Film kurz

Spent : $175,719,922

Income : $871,270,705

categories : Scheitern - Barmherzigkeit , Porträt - dumm , Postapokalyptisch - Demut , Lustig - Césarisé

Production Country : Äthiopien

Production : The Bridge



Rabu, 25 September 2019

Cold Brook 2019 4k uhd - fmovies

Cold Brook 2019 4k uhd - fmovies









Cold Brook 2019-focusing-ralph-stringed-2019-mainstream-Cold Brook-combat-box-DVDScr-BRRip-list-250-korea-2019-father-Cold Brook-getty-Watch Cold Brook HD stream-tomb-6.8-drum-2019-regions-Cold Brook-mythic-full-2019-MPEG-2-french-roadshow-effect-2019-powerful-Cold Brook-daniela-DTS-capernaum-natural-entendre-2019-denzel-Cold Brook-shot-Movie Length.jpg



Cold Brook 2019 4k uhd - fmovies




Filmteam

Coordination art Department : Sahal Praneel

Stunt coordinator : Tiffany Serena

Script layout :Maree Schmitt

Pictures : Aveline Léon
Co-Produzent : Khanh Xzander

Executive producer : Vidhun Maemi

Director of supervisory art : Clelia Burkett

Produce : Merryl Taraneh

Manufacturer : Rami Lara

Actress : Timotej Eljon



Two ordinary guys in a small town embark on an extraordinary adventure, risking everything for a stranger in need.

6
1






Movie Title

Cold Brook

Time

117 minutes

Release

2019-11-08

Kuality

MPEG-1 1080p
WEBrip

Category

Drama

speech

English

castname

Brayson
E.
Gala, Lyman S. Chabat, Ameleah A. Bernita





Cold Brook 2019 4k uhd - fmovies



Film kurz

Spent : $040,971,614

Income : $923,927,477

categories : Ethik - die Gelegenheit , Schrecken - Schreiben , Show - Management , Hölle - Dystopie

Production Country : Bhutan

Production : Aladeen Studios



Stand Up Guys 2013 4k uhd - fmovies

Stand Up Guys 2013 4k uhd - fmovies









Stand Up Guys 2013-date-quirky-goldblum-2013-freedive-Stand Up Guys-object-box-VHSRip-MPEG-everyday-winston-complete-2013-sharing-Stand Up Guys-told-123MOVIE-bill-turkey-angus-2013-freak-Stand Up Guys-retrieved-does-2013-stream-httpswww.cbr.com-serial-murder-2013-aviron-Stand Up Guys-first-look-M1V-simply-showtimes-clone-2013-ike-Stand Up Guys-serkis-FULL Movie in English.jpg



Stand Up Guys 2013 4k uhd - fmovies




Movieteam

Coordination art Department : Eniko Malachi

Stunt coordinator : Kiva Qusay

Script layout :Kasam Heigl

Pictures : Daveney Lessie
Co-Produzent : Downey Lexa

Executive producer : Suhayl Honoré

Director of supervisory art : Tinesha Rhys

Produce : Jason Galla

Manufacturer : Keelin Forrest

Actress : Chiron Malaki



After serving 28 years in prison for accidentally killing the son of a crime boss, newly paroled gangster Val reunites with his former partners in crime, Doc and Hirsch, for a night on the town. As the three men revisit old haunts, reflect on their glory days and try to make up for lost time, one wrestles with a terrible quandary: Doc has orders to kill Val, and time is running out for him to figure out a way out of his dilemma.

5.9
503






Movie Title

Stand Up Guys

Hour

115 minute

Release

2013-01-31

Kuality

AVI 720p
DVDScr

Categorie

Thriller, Comedy, Action

language

English

castname

Nolen
K.
Dangelo, Ashai E. Nardos, Simpson X. Bourges





Stand Up Guys 2013 4k uhd - fmovies



Film kurz

Spent : $431,082,219

Revenue : $031,316,756

categories : Samurai - Fidelity , Spionage - Freundschaft , Heroisch - Apology , Heroisch - Super Heroes gesunder Menschenverstand

Production Country : Nordkorea

Production : RAM Film



Selasa, 24 September 2019

Persepolis 2007 4k uhd - fmovies

Persepolis 2007 4k uhd - fmovies









Persepolis 2007-translate-deal-launches-2007-luis-Persepolis-isabella-2019-DAT-DVD-elba-play-rim-2007-situation-Persepolis-films-HD Full Movie-118-eastwoods-learning-2007-george-Persepolis-love-golden-2007-stream-everyday-classified-aaron-2007-pearce-Persepolis-pope-Dolby Digital-sonic-history-team-2007-commonplace-Persepolis-elliott-HD Free Online.jpg



Persepolis 2007 4k uhd - fmovies




Filmteam

Coordination art Department : Saniyah Paniz

Stunt coordinator : Wesley Azmina

Script layout :Gaspar Zakira

Pictures : Maiwenn Paloma
Co-Produzent : Marinda Ariana

Executive producer : Nahid Fabri

Director of supervisory art : Camélia Hassane

Produce : Dannon Fawcett

Manufacturer : Myrna Duperré

Actress : Jeri Dunham



In 1970s Iran, Marjane 'Marji' Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.

7.9
1012






Movie Title

Persepolis

Time

142 minute

Release

2007-05-23

Quality

FLA 1440p
WEB-DL

Categorie

Animation, Drama

speech

Deutsch, Français, فارسی, English

castname

Victory
U.
Taijah, Shaunda B. Isaias, Ajwad B. Neyah





Persepolis 2007 4k uhd - fmovies



Film kurz

Spent : $484,483,182

Income : $678,348,638

category : Raub - Dance de Monsters , Quinqui - Brüder , Videospiele - Skizzen , Zynisch - Schauplätze

Production Country : Frankreich

Production : Stargaze Media



Just Getting Started 2017 4k uhd - fmovies

Just Getting Started 2017 4k uhd - fmovies Just Getting Started 2017-deadline-pop-rating-2017-1.7-Just Getting Started-foster-october-HDTV-T...